Digital Logos Edition
Many today find the Old Testament a closed book. The cultural issues seem insurmountable and we are easily baffled by that which seems obscure. Furthermore, without knowledge of the ancient culture we can easily impose our own culture on the text, potentially distorting it. The Zondervan Illustrated Bible Backgrounds Commentary (ZIBBC) series invites you to enter the Old Testament with a company of guides, experts that will give new insights into these cherished writings.
Volume 3 of the ZIBBC series brings to life the world of the Old Testament Historical Books 1-2 Kings, 1-2 Chronicles, Ezra, Nehemiah, and Esther through informative entries and full-color photos and graphics. Here readers find a premier commentary for connecting with the historical and cultural context of the Old Testament.
“The fact that Canaanite terminology persisted in the religious calendar of ancient Israel testifies to the many similarities of and mutual influences between the two cultures. The festival in question is the Feast of Booths (or Ingathering), a feast of national gathering in Israel and surrounding cultures.” (Page 40)
“The entrance to the city offered more space than the palace courtyard and was in any event associated with legal and religious proclamation. An almost identical scene is described in the Ugaritic Legend of Aqhat. King Danʾel is ‘upright, sitting before the gate … on the threshing floor, judging the cause of the widow.” (Page 93)
“Hazael’s seizure of the throne of Aram from Ben-Hadad II, known to the Assyrians as Adad-idri, is recorded not only in 8:7–15 but also in a fragmentary Assyrian text on a basalt statue of Shalmaneser III, which refers to Hazael as the ‘son of nobody,’ perhaps reflecting his lowly, nonroyal origins.” (Page 144)
“These finds are a concrete manifestation of the syncretistic and excessive practices of Ahab described in 1 Kings.” (Page 95)
“, not found in any of the inscriptions contemporary with him but known from the Babylonian king lists.124” (Page 170)
This is a unique and important commentary. It is a milestone in the collection and comparative interpretation of ancient Near Eastern texts, pictures, and other archaeological materials as well as geographical, historical, and cultural information as they relate to the Old Testament. There is nothing else like it available today. . . . There will always be disagreements between scholars on such matters, but the many comparative and archaeological resources assembled in these volumes make it a veritable gold mine for those who desire to take the ancient context of the Lord’s work and word seriously in their study, teaching, and preaching of Holy Scripture.
—Richard E. Averbeck, Ph.D., Professor of Old Testament and Semitic Languages, Trinity Evangelical Divinity School
As a pastor, I am certain that the Zondervan Illustrated Bible Backgrounds Commentary: Old Testament is a deeply valuable tool for ministry. With rock-solid scholarship, relevant commentary, and gripping visual illustrations, this will be a great tool for believers for years to come.
—Kevin G. Harney, pastor and author of Organic Outreach for Ordinary People
To me, every Christian should own these commentaries. I say that very seriously because when you study Scripture without looking into the historical and cultural background of what was happening when each part of the Bible was written, we miss incredibly so much meaning, understanding and depth. Using these commentaries when studying Scripture turns our study into a multi-dimensional and extremely colorful study. You will have so many ‘Oh! That’s what that means!’ or ‘Now that makes sense!’ moments when studying with this commentary. I cannot imagine doing any study of the Bible without it quite honestly and couldn’t recommend a commentary of this type any higher.
—Dan Kimball, pastor and author of They Like Jesus but Not the Church