Digital Logos Edition
In his introduction to Jewish apocalyptic literature, Collins examines the main characteristics and discusses the setting and intention of apocalyptic literature. He begins his discussion of Daniel with a survey of the book’s anomalies and an examination of the bearing of form criticism on those anomalies. He explores the book’s place in the canon and the problems with its coherence and bilingualism. Collins provides a section-by-section commentary with a structural analysis (verse-by-verse) of each section.
“‘ ‘Apocalypse’ is a genre of revelatory literature with a narrative framework, in which a revelation is mediated by an otherworldly being to a human recipient, disclosing a transcendent reality which is both temporal, insofar as it envisages eschatological salvation, and spatial insofar as it involves another, supernatural world.” (Page 4)
“The intention of Daniel in its historical setting is surely to exhort and console the faithful Jews in the face of persecution.” (Page 38)
“apocalyptic’ is not a literary genre but a mixtum composition” (Page 3)
“The dominant view of critical scholarship is that Daniel is not a prophetic book but an apocalypse, and is the only full-fledged exemplar of its genre in the Hebrew Bible.” (Page 29)
“the genre apocalypse should be distinguished from ‘apocalypticism’ and ‘apocalyptic eschatology” (Page 3)
Using the best and most recent scholarship on apocalyptic literature, Collins places the Book of Daniel in a fresh perspective.
—George Nickelsburg, The University of Iowa
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Ken Gilmore
12/9/2021
Donovan Neufeldt
1/6/2015