Digital Logos Edition
Writing Theology Well is a working guide for students conducting theological writing and research on theology and biblical studies courses. It integrates the disciplines of writing, rhetoric, and theology, providing a standard text for the teaching and mentoring of writing across the theological curriculum. As a theological rhetoric, it also encourages excellence in theological writing in the public domain by helping to equip students for their wider vocations as writers, preachers, and communicators in a variety of ministerial and professional contexts.
This Edition includes new chapters on ‘Writing Theology in a New Language’, which explores the linguistic and cultural challenges of writing theology well in a non-native language, and ‘Writing and Learning Theology in an Electronic Age’, addressed to distance learning students learning to write theology well from online courses, and dealing with the technologies necessary to do so.
Learn how theology developed from the Reformation to postmodernism with Christopher Ben Simpson’s Modern Christian Theology.
“We have already defined theology as ‘a language used by a specific group of people to make sense of their world,’11 and theological reflection is one of its written and spoken dialects. In this book, I shall make a preliminary distinction between ‘theological reflection,’ which begins with the experience of the writer who is ‘reflecting,’ and ‘theological research,’ which begins with someone else’s article, or book, or other media that is relevant to the writer’s project.” (Page 22)
“exegesis is a research-driven project of biblical investigation” (Page 167)
“Simply stated, then, what we call ‘the writing process’ is actually a series of interrelated processes, each of which is integral to the composite activity of writing. Initiated by a particular writing project, they include: (1) prewriting processes (to induce the labor of writing); (2) freewriting processes (to reduce the fear of writing and foster its flow); (3) composing processes (to deduce the evolving form of writing and bring it to completion); (4) rewriting processes (to produce a readable piece of writing); and (5) publication processes (to reproduce writing for its intended audience).” (Pages 26–27)
“By the theological imagination, I understand our active minds thinking, questioning, dreaming, creating, construing, constructing, critiquing, speaking, and writing in the conceptual language of theology.12 Theological reflection is the disciplined and creative exercise of this theological imagination in dialogue with our individual or communal experience.” (Page 22)
“What distinguishes the writing of theological reflection from other kinds of theological writing is its appeal to experience, or to the particular issue, question, problem, or text that ‘we are trying to make sense of,’ as a starting point for reflection.” (Page 22)
It is imperative that theologians learn to write coherently and with ready access for a general audience—and not simply for each other. No one can help us to do this better than Lucretia Yaghjian. This volume will tutor all theological writers to write in more reasonable ways.
—Thomas Groome, professor, Boston College
In 2006 I wrote that the first edition of this book on writing theology was incomparable in its combination of theory practice, quality, depth and style. And now, almost ten years later, Lucretia Yaghjian expands the breadth of her coverage to second-language English writers and to all of us caught up in a comprehensive digital environment. In a brilliant and yet transparent way she leads young and mature theologians into a new technological and cultural context of teaching, studying and writing. She has taught this old dog new tricks, and I am grateful.
—Roger Haight, S.J., Union Theological Seminary
What a wise book! What a pleasant book! What a helpful book! The book reflects Yaghjian’s special background, literature as it is well and interestingly written, graced with a conversation with leading figures in the field. There is in this book so much practical wisdom concerning the craft of writing. For a beginner, an absolutely necessary guide; for those who have been writing for years, a welcome and informative reminder of what makes theological writing readable and pointed. This should be required reading for graduate students (and their teachers).
—Jerome H. Neyrey, professor emeritus, University of Notre Dame
2 ratings
Sean
10/21/2019
David Wanat
10/16/2019
Michael Sayre
10/25/2017